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#2 Part 2
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THE DIABOLICAL CHALLENGE
As a result of everything discussed above, we only had two Diabolical Challenges.
S8E4 = Martin Birch – Black Sabbath, Rainbow, Michael Schenker Group, and Iron Maiden
S8E5 = Glyn Johns – Eric Clapton, New Model Army, The Eagles, and The Who
ALBUMS PRODUCED BY – MARTIN BIRCH
The tracks played were: ‘Heaven & Hell’ (Black Sabbath), ‘Desert Song’ (Michael Schenker Group), ‘Run with the Wolf’ (Rainbow), and ‘Hallowed Be Thy Name’ (Iron Maiden).
The Michael Schenker Group Live at Rockpalats in Hamburg 1981 showcases the group playing tracks primarily from their debut album, offering fans a glimpse into their early live sound.The setlist from this performance includes tracks such as “Armed and Ready,” “Cry for the Nations,” and “Lost Horizons,” among others, reflecting the band’s early repertoire.This live recording is a significant piece of rock history, capturing the Michael Schenker Group during their formative years and offering fans both old and new a chance to experience their classic sound
The Michael Schenker Group (MSG) performed at Colston Hall in Bristol, England, on November 21, 1982, as part of their UK tour promoting the “Assault Attack” album. This tour featured vocalist Gary Barden, who rejoined the band after the departure of Graham Bonnet.
The setlist for this performance included tracks from the “Assault Attack” album, as well as earlier MSG classics. The concert has been preserved in various formats, including online videos, allowing fans to experience this energetic performance.
In this 1980s video, Michael Schenker discusses his early musical influences and shares the story behind his choice of the Flying V guitar. He also demonstrates some of his signature playing techniques. Additionally, the video includes performance footage showcasing Schenker in action with MSG, UFO, and the Scorpions.
In the 1980s, Michael Schenker, participated in several interviews that provide insight into his musical journey and techniques.
In this extensive interview, Schenker delves into his guitar soloing approach, gear preferences, evolution as a guitarist, and insights into the Michael Schenker Group’s album “Built to Destroy.
In the video below captures Schenker during a pivotal moment in his career, offering a deep dive into his thoughts and experiences at the time.
Iron Maiden’s “Beast over Hammersmith” is a legendary live performance recorded on March 20, 1982, at London’s Hammersmith Odeon. This concert took place just two days before the release of their groundbreaking album, The Number of the Beast, capturing the band at a pivotal moment in their career.
The energy of this performance is palpable, with the band delivering electrifying renditions of tracks like “Run to the Hills,” “Hallowed Be Thy Name,” and “Phantom of the Opera.” Bruce Dickinson’s vocals are raw and powerful, reflecting his early days with the band, while Clive Burr’s drumming showcases his technical prowess and energy.
Initially, the concert footage was withheld from release due to lighting issues during the show. However, the audio recording was eventually released in 2002 as part of the Eddie’s Archive box set, allowing fans to experience this historic performance. Abridged video footage from this concert is also featured in the 2004 DVD, The History of Iron Maiden – Part 1: The Early Days.
This 1990 interview takes place at Steve Harris’s house, where Bruce Dickinson, Steve, and producer Martin Birch break down the making of Iron Maiden’s new album. They talk about recording in a barn, capturing a raw live sound, and how Yannick Gers’ guitar style changed the band’s dynamic after Adrian Smith left.
Birch slams overproduced, sample-heavy music, saying Maiden’s musicianship needs no shortcuts. Bruce gets into the band’s approach to videos, why big-budget productions don’t suit them, and how Eddie’s mystique is better left to imagination. They also laugh about over-the-top video shoots and how Steve filmed “Holy Smoke” with one camera in a field. A killer insight into Maiden’s no-nonsense attitude and dedication to keeping things real. 🤘
In this 1983 interview, Bruce Dickinson talks about what made Martin Birch such a crucial part of Iron Maiden’s sound. Birch wasn’t some corporate hit-maker—he never told the band how to write or arrange songs. Instead, he focused on getting the best out of them, pushing Bruce to hit higher notes, the guitarists to nail better solos, and the whole band to squeeze every drop of energy into their performances. Bruce makes it clear—Birch thought like Maiden, and by this point, the idea of recording an album without him was unthinkable. This is a great insight into how Maiden operated in their prime.
This interview is classic Maiden—full of energy, humor, and no-nonsense talk about music. Steve Harris and Bruce Dickinson dive into how Maiden formed, why they rejected punk, and how Eddie evolved from a simple backdrop to a stage monster. Bruce laughs about being called the “Air Raid Siren”, while the band jokes about what it takes to be a rock musician (hint: “balls”). They also talk about the brutal “Killer Tour”, playing 120 gigs in 6 months, and why their shows are pure adrenaline, not violence. It’s a rare insight into their mindset in the early ‘80s, proving why they’ve always been a band for the fans, not the industry. 🤘
This documentary dives into the making of Iron Maiden’s game-changing album, The Number of the Beast. It covers Bruce Dickinson’s brutal studio session, where frustration led to the most famous scream in metal history, and how Paul Di’Anno’s drug use forced the band to replace him with Bruce. Steve Harris upped the songwriting, shifting from raw punk energy to epic, history-driven anthems like Run to the Hills and Hallowed Be Thy Name.
Then came the Satanic Panic, with album burnings and protests, which only boosted Maiden’s popularity. This was the album that defined heavy metal, turning Maiden from a rising NWOBHM band into legends.
This interview is a brilliant behind-the-scenes look at how Maiden’s raw hunger, chaos, and creativity turned The Number of the Beast into one of the greatest metal albums ever. Bruce Dickinson looks back on his first album with Maiden, how they had no idea it would be so influential, and why their fast, aggressive energy set them apart from the older metal bands.
He recorded his vocals in a stripped-out kitchen, while the band built a pyramid of beer kegs in the studio. With no computers or second chances, everything had to be played perfectly—but they knew they were making something special.
Check out the history of Iron Maiden Part 1, 2,3 below.
in Part 1 the 1982/83 Iron Maiden interviews capture a band on the brink of global domination, raw and unfiltered. Coming off the Killer World Tour, they were already one of the most ferocious live acts in metal, but change was in the air. With Paul Di’Anno struggling to keep up, Maiden made the bold decision to replace him with Bruce Dickinson—a move that would alter their trajectory forever. In these interviews, Steve Harris, Adrian Smith, Clive Burr, and newcomer Nicko McBrain reflect on the relentless grind of the road, the making of The Number of the Beast, and the fiery ambition that drove them forward. The video also touches on the controversy surrounding their so-called ‘Satanic’ image, their refusal to bow to punk trends, and the sheer madness of their early live shows. Maiden weren’t just rising—they were roaring.
By 1984, Maiden were at their creative peak, but the World Slavery Tour would test them like never before. Interviews on the Powerslave era reveal the brutal reality of a non-stop album-tour cycle. Recording Powerslave in the Bahamas may have sounded like paradise, but between stormy nights and endless waiting, it was anything but easy. When they hit the road, they unleashed one of the most ambitious tours in metal history—193 shows over 13 months, playing everywhere from California to communist Poland. The physical toll was immense—Bruce was nearly broken by the end—but the tour cemented Maiden as the biggest metal band on the planet. This was the era of pyramids, mummies, and Eddie’s most monstrous stage presence yet—Iron Maiden at their most over-the-top, and their most unstoppable.
Then came Seventh Son of a Seventh Son (1988)—the band’s first true concept album, a prog-metal masterpiece built on myths of prophecy and power. The 1988 interviews reveal how Steve Harris conceived the album’s supernatural themes, while Adrian Smith and Bruce Dickinson embraced the chance to craft something truly cinematic. With layered keyboards, dramatic melodies, and towering ambition, Seventh Son took Maiden’s sound to another level.
The tour was spectacular, with colossal icy mountains and a glowing Eddie, but beneath the surface, cracks were forming. Adrian Smith, unhappy with the band’s relentless pace and increasingly fast live performances, would leave shortly after. It was the end of an era, marking the last album of Maiden’s classic 1980s lineup—one final, glorious chapter before the turbulence of the next decade.
Martin Birch wasn’t just a producer—he was the architect of heavy metal’s golden age. From Deep Purple to Iron Maiden, Black Sabbath to Whitesnake, his production style defined the sound of hard rock and metal for over two decades. What made Birch different? He captured bands exactly as they were—no gimmicks, no overproduction, just pure, raw power.
This video pays tribute to the man behind the console, the guy who made “The Number of the Beast” roar, “Heaven and Hell” soar, and “Machine Head” explode. His legacy isn’t just in the albums—it’s in every thunderous riff, every soaring vocal, every pounding drumbeat that still shakes the foundations of rock today. Martin Birch didn’t just produce records—he defined a sound.
Martin Birch. A name that defined the sound of hard rock and heavy metal. This video is a tribute to the legendary producer, featuring Chris Corry of Magic Circle, who brings his deep knowledge of production and metal history to the discussion.
Together, they explore Birch’s best work, from Deep Purple’s Machine Head to Iron Maiden’s Powerslave, Black Sabbath’s Mob Rules, and Rainbow’s Rising—albums that shaped the genre. They also highlight lesser-known records, like Wishbone Ash’s Argus and Skid Row’s 34 Hours, proving Birch’s influence stretched far beyond the big names.
Chris Corry breaks down Birch’s signature production techniques, discussing his ability to handle lineup changes, his mastery of the twin-guitar sound, and how he captured the power of live performances in the studio.
This isn’t just a run-through of great albums—it’s a deep dive into the man who made heavy metal sound the way it should.
This was an interesting challenge – it would be hard to find four more iconic albums. Martin Birch, like most producers, started as an engineer. He was the engineer on Deep Purple’s In Rock and went to both produce and engineer the four albums featured here.
“Child in Time,” Deep Purple’s magnum opus from their 1970 album Deep Purple in Rock, stands as a testament to the band’s innovative spirit. This ten-minute epic, inspired by It’s a Beautiful Day’s Bombay Calling, showcases Ian Gillan’s extraordinary vocal range and Ritchie Blackmore’s emotive guitar work.
The song’s anti-war message, reflecting the anxieties of the Cold War era, is delivered through haunting lyrics and escalating musical intensity. As the track builds from a melancholic organ intro to a thunderous climax, it epitomizes the band’s mastery of tension and release.
Martin Birch‘s engineering brilliance captured the raw energy and ambition of the band, ensuring each instrument resonated with clarity and power. His ability to harness Deep Purple’s dynamic performances in the studio played a pivotal role in bringing Child in Time to life, cementing its status as a heavy metal anthem and a masterpiece of art rock.
“Hard Lovin’ Man,” the closing track of Deep Purple’s 1970 album In Rock, stands as a testament to the band’s pioneering spirit in heavy metal. Crafted from a bass riff by Roger Glover, the song evolved into an intense jam session, capturing the raw energy and innovation that defined Deep Purple’s sound.
This track marked the beginning of Deep Purple’s collaboration with engineer Martin Birch, whose expertise was instrumental in shaping the album’s powerful and dynamic sound. Birch’s ability to capture the band’s live intensity in the studio setting played a pivotal role in bringing “Hard Lovin’ Man” to life.
The song’s relentless rhythm and aggressive structure have been recognized as early examples of proto-power metal and proto-thrash metal, influencing countless bands in the heavy metal genre. Ian Paice’s spectacular drumming, rarely adhering to a simple backing, adds to the track’s atmosphere of wild abandon, making it a thrilling take on the classic “see ya later baby” theme.
“Hard Lovin’ Man” not only showcases Deep Purple’s musical prowess but also highlights Martin Birch’s significant contribution as a catalyst in the evolution of heavy metal production.
This rare footage takes us deep into Deep Purple’s Mark IV era, a turbulent yet fascinating chapter in the band’s history. The video showcases studio session tapes featuring Jon Lord, Ian Paice, Tommy Bolin, Glenn Hughes, and David Coverdale, capturing the creative energy of a lineup that never got to make a second album.
The first section ([00:00] – [03:12]) contains Same in LA, an outtake from Come Taste the Band, later included as a bonus track in the 2010 Kevin Shirley remix. It carries the unmistakable funk-infused rock that defined this underrated era of Purple. The later portion ([03:13] – [04:49]) features loose Mark IV jam sessions, with Bolin’s guitar work shining through, hinting at what might have been if the lineup had endured.
Adding to the intrigue are echoes of Paice Ashton Lord (PAL), the short-lived project that emerged from this period, best known for their album Malice in Wonderland . There’s also speculation about unfinished vocal tracks—could this have led to another album, had history played out differently?
Of course, none of this would sound quite the same without Martin Birch, the studio mastermind behind some of Deep Purple’s most legendary recordings. His ability to harness the raw power of these sessions reinforces why he was one of rock’s most influential producers .
While much of this material remains officially unreleased, it stands as a thrilling snapshot of a band in flux—one foot in the past, the other pushing towards a future that never arrived.
This video dives deep into Deep Purple’s In Rock—the album that transformed them from experimental rockers into hard rock legends.
The hosts break down each track, from the explosive opener Speed King to the epic Child in Time, analyzing its impact on rock history. They explore how Blackmore, Gillan, and the band crafted their raw, aggressive sound—one that would inspire generations of rock and metal artists.
It’s more than just a discussion—it’s a jam session, packed with humor, deep insights, and a shared love for music. If you’re a rock fan, this is one deep dive you don’t want to miss.
Check out the Machine Head Classic Albums Series of Videos
Deep Purple’s Machine Head is a landmark album in rock history, born from both adversity and artistic brilliance. The album’s recording sessions were famously disrupted when the Montreux Casino burned down during a Frank Zappa concert, forcing the band to relocate to the Montreux Grand Hotel. With no proper studio available, Deep Purple transformed the hotel’s corridors into a makeshift recording space, capturing a raw, live energy that defined the album’s signature sound.
Key to shaping this sonic masterpiece was producer Martin Birch, who worked tirelessly to refine the band’s unorthodox setup. Birch, later renowned for his work with Iron Maiden and Black Sabbath, played a crucial role in ensuring that the album’s heavy, aggressive sound remained crisp and dynamic despite the unconventional recording conditions. His ability to balance Deep Purple’s raw power with clarity and precision helped make Machine Head one of the best-produced rock albums of its time.
The album delivered some of Deep Purple’s most iconic tracks. Smoke on the Water immortalized the casino fire, its instantly recognizable riff proving that simplicity can be legendary. Highway Star showcased Ritchie Blackmore’s groundbreaking neoclassical guitar work, while Lazy gave Jon Lord’s Hammond organ the spotlight, blending blues and hard rock in a way only Deep Purple could. Space Truckin’, driven by Ian Paice’s relentless drumming, became a fan-favorite for its high-energy, sci-fi-inspired themes.
Despite the pressure to follow up on Deep Purple in Rock and Fireball, the band found their defining sound on Machine Head. Martin Birch’s production expertise, combined with the band’s innovative approach, helped create a record that was heavier and sharper than its predecessors. Yet, behind the success, tensions between Ian Gillan and Ritchie Blackmore were growing, foreshadowing Gillan’s eventual departure.
Even so, Machine Head remains a towering achievement—an album that set the standard for hard rock and influenced generations of musicians. Thanks to Birch’s meticulous production and the band’s relentless creativity, Deep Purple captured lightning in a bottle, delivering a record that still resonates over 50 years later.
If you think Smoke on the Water was just another rock song, think again—this is the story of a track that should never have existed. Born from disaster, recorded against all odds, and almost shut down by the police mid-session, it became one of the most legendary anthems in rock history.
Deep Purple wanted to escape the lifeless, sterile studios of the time, so they set up to record Machine Head at the Montreux Casino. But fate had other plans. During a Frank Zappa concert, a reckless fan fired a flare gun into the ceiling, setting the entire venue ablaze. The fire spread in minutes, forcing the band and the audience to flee. Watching the casino burn, Ian Gillan and Roger Glover had no idea they were witnessing the inspiration for their biggest song.
With their original recording space reduced to ashes, they scrambled to find a new location. They moved into the Pavilion Theatre, but just as they were laying down Smoke on the Water, the police came banging on the doors, complaining about the noise. Security guards had to hold them back long enough for the band to finish recording—had they been stopped just seconds earlier, the song might never have been completed.
Hard rock and heavy metal wouldn’t be the same without Deep Purple, but somehow, they’ve never quite gotten the credit they deserve. This video dives into the full story—how they reshaped rock music with classical influences, relentless energy, and a willingness to push boundaries that few bands dared to cross.
Unlike their counterparts in the “Unholy Trinity” of hard rock, Deep Purple wasn’t just about heavy riffs and big vocals—they were the most musically adventurous of the lot. Jon Lord’s Hammond organ didn’t just add texture; it roared like a second lead guitar. Ritchie Blackmore’s classical-inspired solos laid the groundwork for an entire generation of shredders. And Ian Paice? His drumming on Fireball brought double bass to rock long before it became a metal staple.
But Deep Purple wasn’t just defined by their music—they were a band in constant motion. Nine different lineups, countless reinventions, and a career that spans more than five decades, from the psychedelic-tinged Mark 1 era to the raw power of Machine Head, the blues-heavy Burn, and their modern-day resurgence.
Yet, for all their influence, they spent decades being snubbed—ignored by critics, overlooked by the Rock and Roll Hall of Fame until 2016, and often left out of mainstream rock history in favor of their contemporaries. But let’s be clear: without Deep Purple, there’s no Metallica, no Iron Maiden, no Guns N’ Roses.
This is the story of a band that refused to play by the rules—and in doing so, changed rock music forever. Watch now and see why Deep Purple is more than just a great band—they’re a movement.
Most bands are lucky to have one defining moment—Deep Purple had about five. Deep Purple In Profile unpacks their wild ride, from their psychedelic beginnings to their status as hard rock pioneers. But this isn’t just about the music—it’s about the chaos, the clashes, and the endless reinventions that made Deep Purple one of the most unpredictable bands in rock history.
This is the band that started as Roundabout—yes, that was almost their name—before evolving into the heavy rock powerhouse we know today. It’s the story of how In Rock kicked off an arms race in hard rock, how Machine Head gave us Smoke on the Water, and how their lineup changed so often that keeping track should come with a flowchart.
And let’s talk about the drama—Gillan vs. Blackmore, the funk experiment that split the fanbase, and the 1984 reunion that proved Deep Purple never truly dies. They’ve been through it all—fame, breakups, reinventions—and somehow, they’re still standing.
This documentary lays it all out: the music, the madness, and why Deep Purple remains one of the most essential bands in rock history. If you think you know the full story, think again.
Rainbow’s Rising was one of the classic albums of the ‘70s, while the other three epitomized heavy metal in the ‘80s.
“Run with the Wolf” is the second track on Rainbow’s 1976 album, Rising. This song showcases the collaboration between guitarist Ritchie Blackmore and vocalist Ronnie James Dio, blending powerful riffs with Dio’s signature vocals.
Martin Birch, renowned for his work with bands like Deep Purple and Iron Maiden, produced the album. His production style, characterized by capturing the raw energy of the band’s performance and ensuring clarity among instruments, contributed to the track’s dynamic sound.
Birch’s ability to highlight each instrument’s presence without overshadowing others allowed the band’s musical intricacies to shine, making “Run with the Wolf” a standout track on the album.
Is Rising the greatest hard rock album of all time? That’s the big question in this deep dive into Rainbow Rising—the 1976 masterpiece from Ritchie Blackmore and Ronnie James Dio. With just six tracks, this album redefined heavy rock, fusing neoclassical grandeur with raw power, and paving the way for power metal.
Peter Kerr from Rock Daydream Nation and Peter Jones (The Contrarians) take us on a track-by-track journey, unpacking the soaring vocals, thunderous drumming, and Blackmore’s spellbinding guitar work. They discuss the album’s epic, symphonic structure, its mystical storytelling, and why Stargazer has reached almost Stairway to Heaven levels of legendary status.
Was Rising ahead of its time? Why was it ignored by U.S. radio despite its cult following? And does it stand as Blackmore’s finest moment? This discussion has everything—personal insights, deep musical analysis, and some surprising facts about how this album shaped hard rock history.
Hit play and find out why Rising remains one of rock’s most celebrated, yet underrated, masterpieces.
If you’re a fan of hard-hitting, no-nonsense rock production, then Martin Birch’s work on Rainbow’s “Kill the King” deserves your attention. This isn’t just another great rock track—it’s a masterclass in capturing live energy in a studio recording, something few producers ever truly mastered.
Unlike most of Rainbow’s fantasy-driven epics, Kill the King is a full-throttle, proto-speed metal assault—one of their most aggressive, politically charged tracks. Birch, who had been with Rainbow since the beginning, doesn’t just balance the mix—he shapes the sound dynamically, making you feel like you’re sitting in the perfect spot at a live gig. At times, the bass surges forward; at others, the drums thunder in, and Dio’s vocals hit like a battering ram.
With Ritchie Blackmore’s razor-sharp riffs, Cozy Powell’s relentless drumming, and Dio in full war cry, this song is a blueprint for power metal and thrash to come. And Birch? He’s the mastermind behind it all, blending chaos and precision in a way few producers ever could.
If you’ve never truly listened to Kill the King, now’s the time. Crank it up, hear Birch’s genius in action, and see why this track still sets the bar for hard rock production today. 🎸
The 1976 Rising Tour was Rainbow unleashed—a thunderous, high-octane showcase of Dio’s soaring vocals, Blackmore’s blistering guitar, and Cozy Powell’s earth-shaking drumming. This was Rainbow at their rawest and most ferocious, with a setlist anchored by Tarot Woman, Starstruck, and the colossal Stargazer—tracks that sounded even bigger and more explosive on stage.
Blackmore, ever the showman, brought his trademark guitar-smashing theatrics, while Powell’s thunderous drum solos left crowds in awe. The stage was dominated by a massive, glowing rainbow, a now-iconic rock spectacle. But despite the power and chemistry, tensions were brewing behind the scenes—making this one of the shortest yet most legendary tours in Rainbow’s history.
A mere four months, 34 shows, and anthems that shook the rafters—this was Rainbow at their peak, fast, furious, and unforgettable.
What happens when a legendary guitarist, an operatic frontman, and a visionary producer come together? You get Rising—the album that redefined hard rock and metal.
In this episode, Blake and Eric take you on a journey back to 1976, breaking down Rainbow’s second studio album. It’s a record drenched in mysticism, power, and virtuoso performances—from Cozy Powell’s thundering drum intro on “Stargazer” to Ritchie Blackmore’s exotic soloing and Dio’s storytelling mastery.
But there’s more to Rising than just legendary musicianship. Martin Birch’s production work transformed the record into something larger-than-life. What was his secret? And how did this album help lay the groundwork for power metal and neoclassical shredders to come?
If you’ve ever cranked Rising at full volume, this episode is for you. If you haven’t—well, it’s about time you did. Hit play and discover why this album still echoes through the halls of heavy metal history.
What happens when a legendary guitarist walks away from one of the biggest rock bands in history? For Ritchie Blackmore, the answer was simple—create something even more powerful. Rainbow: In Their Own Words takes you inside the volatile, exhilarating world of one of rock’s most dynamic and unpredictable bands.
From Ronnie James Dio’s soaring vocals and mystical lyrics to the radio-smashing hooks of “Since You Been Gone”, this is the real story of Rainbow—told by the people who lived it. You’ll hear first-hand accounts of explosive recording sessions, brutal lineup changes, and the creative genius (and madness) of Blackmore himself.
A band that started as a progressive, fantasy-infused powerhouse morphed into a chart-topping arena-rock machine, leaving behind a legacy that inspired metal, power rock, and beyond.
Packed with rare insights, behind-the-scenes turmoil, and the music that changed rock forever, this is Rainbow—in their own words.
There are guitar legends, and then there’s Ritchie Blackmore—the man who could be brilliant one night and utterly unpredictable the next. This documentary peels back the layers of one of rock’s most enigmatic figures, from his early days as a session musician to his time revolutionizing hard rock with Deep Purple and Rainbow.
Blackmore wasn’t just a guitarist; he was a force of nature—a perfectionist, a rebel, and a musician obsessed with control. His infamous onstage tantrums, constant band reshuffling, and bitter rivalries made him a frustrating genius, but his legacy remains untouchable.
Hear from those who knew him best—Ian Gillan, Ian Paice, Joe Lynn Turner—as they reveal the truth behind the legend. From “Smoke on the Water” to Rainbow’s mystical soundscapes, this is the story of a man who shaped rock music but refused to be caged by it.
Love him or hate him, Blackmore did it his way—and this is the ultimate deep dive into his turbulent, trailblazing career.
Prepare to meet the most unpredictable guitar god of them all.
In The Story of Rock and Roll I discuss how my mates and I felt when Ozzy left Black Sabbath. We wondered if they would survive without him. The anticipation of buying Heaven and Hell, finding a record player at boarding school, and hearing Sabbath for first time with Ronnie James Dio on vocals was unforgettable. It was a relief to know that all was well in the universe and that Martin ‘Headmaster’ Birch had played a huge role in making it so.
In 1980, Black Sabbath unveiled “Heaven and Hell,” a track that redefined their sound and legacy. Central to this transformation was producer Martin Birch, renowned for his work with Deep Purple and Iron Maiden. Birch infused the song with a bright yet heavy sound, capturing the band’s revitalized energy. Ronnie James Dio’s soaring vocals introduced profound lyrical themes, marking a new era for Sabbath.
Tony Iommi’s masterful riffs, Geezer Butler’s dynamic basslines, and Bill Ward’s precise drumming coalesced under Birch’s guidance, creating a timeless anthem that stands as a testament to heavy metal’s enduring power.
Imagine hearing Heaven and Hell before it became the legendary anthem we know today. This rare 1979 rehearsal recording is a time capsule—an early, unpolished version of Black Sabbath’s reinvention with Ronnie James Dio. But here’s the twist: Geoff Nicholls, Sabbath’s longtime keyboardist, is on bass. With Geezer Butler absent from the sessions, this is one of the few instances where Nicholls stepped in, offering a fascinating look at the band’s creative process in motion.
Recorded in a rented house in Bel Air, California, this demo captures Sabbath at their rawest, fine-tuning their new sound in a laid-back, almost garage-band setting. Even the working title, “On and On Heaven and Hell,” hints at the song still taking shape. And stick around for the casual studio banter at the end—a rare glimpse into a band crafting what would become a metal masterpiece.
Unreleased for decades, this tape was discovered in Geoff Nicholls’ personal archive and uploaded by his stepson. It’s not just an early version of a classic—it’s history unfolding, with Sabbath on the brink of a new era. If you love hearing rock legends in their rawest form, this is unmissable.
Elizabeth Zharoff, known online as “The Charismatic Voice,” is an American opera singer, voice coach, and YouTuber.
In 2014, Zharoff launched her YouTube channel, “The Charismatic Voice,” where she analyzes and reacts to various vocal performances, offering insights into singing techniques and vocal health. Her engaging content has attracted over 1.84 million subscribers and more than 402 million views as of January 2025.
Ronnie James Dio’s arrival in Black Sabbath wasn’t just a lineup change—it was a full-scale reinvention. In this electrifying 1980 performance of Heaven and Hell, we see exactly why Dio remains one of the greatest voices in rock history.
His vocals? Flawless. His stage presence? Mesmerizing. His command over the crowd? Untouchable. Dio’s ability to shift from soaring clarity to gritty power isn’t just impressive—it’s the stuff of legend.
But this isn’t just about Dio. Tony Iommi’s signature riffing gives the track its dark, brooding edge, while Geezer Butler and Vinny Appice lock in with a thunderous rhythm section. And let’s not forget that Sabbath’s live shows were built for spectacle—complete with fire, drama, and audience interaction that takes the experience to another level.
Whether you’re a die-hard Sabbath fan or new to Dio’s magic, this is a performance you need to see. Watch as The Charismatic Voice breaks down the genius of Dio’s technique—his phrasing, his vibrato, his sheer vocal precision.
This isn’t just a reaction. It’s an appreciation of heavy metal’s golden age, delivered by one of the greatest to ever do it.
In 2009, at Germany’s renowned Wacken Open Air Festival, the legendary lineup of Heaven & Hell—comprising Ronnie James Dio, Tony Iommi, Geezer Butler, and Vinny Appice—delivered a performance that would become iconic.
This concert, later released as “Neon Nights: 30 Years of Heaven & Hell,” captures the band in peak form, blending tracks from their then-new album, The Devil You Know, with timeless classics from their Black Sabbath era. Notably, this show stands as Dio’s final filmed performance before his untimely passing in 2010, adding profound significance to the event.
The setlist features powerful renditions of songs like “Mob Rules,” “Children of the Sea,” and the epic “Heaven and Hell,” showcasing the band’s unparalleled synergy and Dio’s commanding stage presence. For fans and newcomers alike, this concert offers an intimate glimpse into the enduring legacy of one of heavy metal’s most influential ensembles
Black Sabbath’s Heaven and Hell was more than a mere album—it was a rebirth of a band on the brink of collapse. This documentary takes you inside one of the most dramatic shakeups in heavy metal history: the firing of Ozzy Osbourne, the arrival of Ronnie James Dio, and the creation of a record that reshaped the genre.
Through interviews with Tony Iommi, Geezer Butler, and Dio himself, we uncover the genius behind Heaven and Hell, the power struggle that followed, and the lingering divide between Ozzy loyalists and Dio disciples.
Why did Sharon Osbourne suggest Dio as Ozzy’s replacement? How did the shift from bluesy doom to operatic grandeur redefine Sabbath’s sound? And what really went down in the Live Evil mixing debacle that tore the band apart?
From the anthemic Neon Knights to the theatrical Sign of the Southern Cross, this is the story of a band that refused to die—and the man whose voice brought it roaring back to life.
There are countless documentaries on Black Sabbath, but strangely, none that focus solely on the Dio era—one of the band’s most dramatic and creatively explosive periods. Since such a film doesn’t exist, we’ve decided to feature this incredible deep dive into the man who reshaped Sabbath’s sound and left an undeniable mark on heavy metal history—Ronnie James Dio.
This first-ever authorized documentary, produced by Wendy Dio, traces Ronnie’s rise from the doo-wop days of the ‘50s to fronting three legendary rock bands—Rainbow, Black Sabbath, and DIO. With never-before-seen footage, rare photos, and interviews with Tony Iommi, Geezer Butler, Rob Halford, and even Jack Black, this is the definitive story of a true rock warrior.
From popularizing the devil horns to keeping heavy metal alive after Ozzy’s departure, Dio was more than just a singer—he was a force of nature. His soaring vocals, mythical lyrics, and unmatched stage presence still inspire generations of musicians today.
A true dreamer who never died, Ronnie’s journey wasn’t just about the music—it was about staying true to his vision. Whether you’re a longtime fan or new to his legacy, this film will give you a newfound respect for one of metal’s most beloved figures.
Watch, listen, and prepare to be inspired—because there will never be another Dio.
Tony Iommi once said that Heaven and Hell was the album that saved Black Sabbath—and he wasn’t wrong. This video dives into how Sabbath’s ninth studio album marked a dramatic shift, taking them from creative stagnation to a metal resurgence.
Gone was the bluesy, freewheeling swagger of the Ozzy years. In came Ronnie James Dio, a powerhouse vocalist with a theatrical presence and a voice like a thunderstorm. The hosts explore how Dio’s arrival reshaped Sabbath’s sound, injecting new energy and grandiosity into tracks like Neon Knights and Die Young.
But not everyone welcomed the change. Some die-hard Ozzy fans felt the band had lost its rawness, while others saw Heaven and Hell as a much-needed evolution. Did Sabbath redefine themselves or leave something behind?
Join the discussion as they break down the album’s impact, rank it against other Sabbath classics, and decide—was this the band’s reinvention or their reinvigoration?
Imagine stepping into one of the biggest bands in metal history—replacing an icon, rewriting the sound, and facing down an audience that doesn’t want you there. That was Ronnie James Dio’s reality when he joined Black Sabbath in 1979. In this rare interview, Dio himself reveals what really happened behind the scenes—from his first jam session with Tony Iommi (where Children of the Sea was born on the spot) to the strip club test that determined if Heaven and Hell was a hit.
But success didn’t come without a fight. Dio recalls the tensions that nearly tore the band apart—Geezer Butler’s abrupt exit, the brutal Live Evil fallout, and the infamous accusation that he snuck into the studio to boost his own vocals (his response? “Total bullshit!”).
And yet, despite all the drama, the music endured. Dio’s final run with the band as Heaven & Hell was the redemption story no one saw coming—a reunion built on friendship, respect, and a shared love for the music that changed metal forever.
This isn’t just another look at Black Sabbath’s Dio era—it’s the inside story, told by the man who lived it.
ALBUMS PRODUCED BY – GLYN JOHNS
Soundman The Book by Glyn Johns
The tracks played were: ‘Cocaine’ (Eric Clapton), ‘Witchy Woman’ (Eagles), ‘51st State’ (New Model Army), and ‘My Wife’ (The Who).
Some songs don’t just stand the test of time—they become part of rock’s DNA. Cocaine is one of them. Originally written by J.J. Cale, this track found its true fire in the hands of Eric Clapton.
And behind the scenes? Glyn Johns, the legendary producer who shaped the sound of The Rolling Stones, The Who, and Led Zeppelin. Johns stripped it down, sharpened the edges, and gave Clapton’s guitar that signature bite—clean, crisp, and undeniably powerful.
This isn’t just a song about excess; it’s a slow-burning blues groove with a dark undercurrent, an anthem with an eerie kind of cool. If you’ve never heard it, prepare for a masterclass in restraint and swagger. If you have? Well, it’s time to turn it up.
Enigmatic and dripping with a hypnotic groove, “Witchy Woman” casts a spell from the opening riff. Co-written by Bernie Leadon and Don Henley, this was Henley’s first lead vocal for The Eagles, and it arrived with a mysterious, almost feverish intensity. His soulful, trance-like delivery, paired with Leadon’s eerie slide guitar, creates a song that feels like a slow-burning incantation.
The inspiration? A mix of Zelda Fitzgerald’s turbulent spirit, otherworldly mysticism, and the hazy, mystical energy of the late ‘60s counterculture. There’s something unsettling yet irresistible about the lyrics—a woman with restless hands and the power to consume you whole.
The song’s swirling rhythm and ghostly harmonies set it apart from the breezier tracks on their debut album, revealing an edgier side to the band. Haunting and unforgettable, “Witchy Woman” is a late-night desert drive, a fever dream, and a warning all wrapped into one.
Glyn Johns, born in 1942, is a legendary producer who worked with The Beatles, Led Zeppelin and The Rolling Stones.
Glyn Johns talks about Rolling Stones, Led Zeppelin, Small Faces and Recording Process
Johns engineered many classic albums and produced many others, including the four featured here. While we are focusing on producers, the line between an engineer and a producer is often thin. Very few producers didn’t start as engineers. Engineering is about handling the technical details – getting the sound and mix right- while production is about guiding the band, selecting the right songs, making suggestions, and pulling everything together. Ultimately the producer must be satisfied with how the album sounds.
Johns engineered The Beatles’ Let it Be, The Rolling Stones’ Beggars Banquet and Led Zeppelin’s debut album.
Part 3 Highlights: The Albums That Defined Rock – Glyn Johns’ Masterpieces
After exploring Glyn Johns’ legendary work with The Beatles, The Rolling Stones, and Led Zeppelin in Part 2, Page 3 of our newsletter shifts the spotlight to four iconic albums that showcase his genius as both producer and engineer. These records didn’t just shape rock music—they redefined entire genres.
- Albums produced by Glyn Johns
featuring:
Eric Clapton – Slowhand
Eagles – Eagles
New Model Army – The Ghost of Cain
The Who – Who’s Next
Who’s Next – The Who (1971)
Born from the ashes of Pete Townshend’s abandoned rock opera Lifehouse, Who’s Next became a genre-defining album. With synth-driven anthems like Baba O’Riley and Won’t Get Fooled Again, Johns helped the band capture their raw power and futuristic sound—and yes, we have videos on Keith Moon’s absolute madness behind the kit.
Eagles – Eagles (1972)
Glyn Johns didn’t believe the Eagles could rock—but he was captivated by their four-part harmonies. He crafted their debut album as a country-rock masterpiece, giving us classics like Take It Easy and Witchy Woman. However, tensions brewed—Johns clashed with Glenn Frey’s desire for a harder sound, leading to a famous fallout.
Slowhand – Eric Clapton (1977)
This was Clapton at his laid-back, bluesy best—but behind the scenes, Johns had to keep a heavily drinking Clapton in check to get the best performances. From the soulful agony of Wonderful Tonight to the groove of Lay Down Sally and Cocaine, this album cemented Clapton’s solo legacy.
The Ghost of Cain – New Model Army (1986)
A band built on defiance met a producer built on perfection. When Justin Sullivan and New Model Army recorded The Ghost of Cain, Johns didn’t hold back—if it didn’t sound good, it wasn’t the studio’s fault—it was theirs. This brutal honesty led to some of their most powerful, politically charged work.
🎬 Exclusive Video Features Include:
✅ Behind-the-scenes insights on each album—from studio clashes to career-defining moments.
✅ Pete Townshend’s revolutionary use of synthesizers in Who’s Next.
✅ The Eagles’ transformation from a folk-rock outfit into stadium legends.
✅ Clapton’s struggle with addiction and how Johns shaped his finest solo work.
✅Exclusive Interview with Clapton and Johns about their work on 2016 I still do album.
✅Glyn Johns dismissing the Eagles at first, then being blown away by their harmonies.
✅Bernie Leadon reflecting on Glyn Johns’ efforts to keep the Eagles a true band.
✅The behind-the-scenes tensions that led to Glyn Johns leaving Eagles third album.
✅ How New Model Army learned a tough lesson in musicianship from one of rock’s toughest producers.
✅ Keith Moon’s Unhinged Genius & Rockstar Madness
- The Smothers Brothers Explosion Incident 💥 – Moon loaded his drum kit with explosives for a TV show, blew up the stage, burned Pete Townshend’s hair, and made Bette Davis faint backstage.
- Outdrinking Hollywood’s Hardest Partiers – Moon drank Oliver Reed, Richard Burton, and Richard Harris under the table in one night (legend has it, none of them could keep up).
- Monkey Tranquilizers & On-Stage Chaos – Took so many tranquilizers before a show that he passed out mid-song, had to be revived, and was literally carried to his drums to finish the gig.
- Airport Security Strip-Down – Impatient with customs, he stripped naked in the security line just to get through faster.
- Pete Townshend vs. Keith Moon – The band’s fights were just as wild as their performances. Moon once wrecked a hotel room, then blamed Pete when the bill arrived.
✅Roger Daltrey on Keith Moon, Woodstock, and His Journey
- Check out a series of interviews with Roger Daltrey legendary frontman of The Who on the Howard Stern Show and also one on CBS.
Must-Watch Moments in These Videos:
✔ Pete Townshend’s legendary scream at Abbie Hoffman
✔ Keith Moon’s exploding drum disaster in slow-motion
✔ Daltrey’s emotional reflection on how an insult by his high school headmaster shaped his future
✔ The story about what really happened at Woodstock.
Also in Part 3
The Immortals: A Deep Dive into Epic Songs & Rock Mysteries
Some songs transcend time—not just in impact, but in sheer length. The Immortals is where we celebrate these epic, seven-minute-plus masterpieces that take listeners on a journey beyond the usual radio format.
This week, we feature:
🎵 My Tiny Heart – Don Babylon – A hidden gem with sprawling, emotional depth.
🎵 When the Music’s Over – The Doors – A dark, psychedelic exploration of life, death, and revolution.
🎵 Sheep – Pink Floyd – A cynical, high-energy indictment of blind obedience, from their groundbreaking Animals album.
But The Immortals isn’t just about the songs—it’s about the legends behind them. This edition is packed with exclusive videos unraveling The Doors’ mysteries and the dark transformation of Pink Floyd during the making of Animals.
Must-Watch Rock Documentaries & Deep Dives:
Jim Morrison’s Final Days & the Paris Mystery – Did the Lizard King really die in his bathtub, or was there a cover-up? Eyewitnesses, nightclub staff, and conspiracy theorists weigh in.
When the Music’s Over – The Doors’ Psychedelic Rebellion – A look at how Morrison’s wild poetic energy clashed with The Doors’ meticulous musicianship, creating one of their most hypnotic tracks.
Pink Floyd’s Animals & The Tour That Tore Them Apart – From Roger Waters’ growing control over the band to the infamous Montreal spitting incident that led to The Wall, this documentary dissects how Animals marked the beginning of Pink Floyd’s internal collapse.
The Flying Pig & The Studio That Changed Everything – Discover how Pink Floyd built their own studio to record Animals, why Gilmour’s guitar work was overshadowed, and the chaotic photoshoot that sent a 30-foot inflatable pig floating into Heathrow’s airspace.
👉 Click to explore the songs, the stories, and the scandals that made rock history!
Part 3 ends with a look at:
NEW RELEASES & NEW DISCOVERIES & SAD GOODBYES
We look at two new South African single releases by Diverted Disorder and Sheron
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